uhhuh A Cute Girl Who Could Actually Exist In Real Life
Scholars, poets, and bards agreed on one thing alone—
she loved her husband, Chrom, above all else.
HeyLasFas! - #GoChieOrGoHOME - #ElizabethIsTheElizaBEST


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Info
Female - 20
Incredibly Bi
Kirkland, WA
Conceptual Artist
Layout Designer
Writer
Audio Engineer
Married to alexisnotaobot

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Biography
Did you know I can only think of four things at a time? Right now I'm thinking about the number 77, time signature metered time signatures, cute anime characters, and a haircut.

No seriously, feel free to talk to me for whatever reason. Askbox is always open as well as Skype.

Tumblr Avatar by fyre-flye!
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Things You Should Talk To Me About:
Robot Girls
Zero Escape/9h9p9d / VLR:GPD
Fire Emblem
Prequel Adventure
SMT:P4
SMT:P3
MGS
NGE
PMMM

That was not a smart move, Sigma.

Why My Music Is Infectious: The Loud Wars

cyrilmusic:

fororchestra:

There’s a thing in the music industry called “The Loud Wars”, I’ll explain why it’s destroying the music you listen to and my thoughts on it:

Pretend you’re listening to Pandora or Terrestrial radio - if you were to hear the same exact song back-to-back where the only difference was the volume, then you would claim that the quieter song sounded dull, whereas the louder song sounded brighter, crisper, and fuller.

But that’s the phenomenon, because nothing was different about the 2 songs except for the volume. Here’s a short, but interesting video showing exactly what’s happening.

This also applies to live concerts you attend. If one band plays louder than the other (not in terms of genre, just pure volume) then you’ll walk away thinking band #2 was better than band #1, but unsure as to why.

Welcome to the Loud Wars - where every song attempts to be “louder” than the previous song simply because humans perceive loud music to sound better.

So music producers, against their will, have been forced to make their client’s music louder and louder over the years in this competition for your attention and sales.

So why is this a problem? Well, when you “compress” everything into one single dynamic range then you completely kill the beautiful emotion and effect that music naturally has. Soft vocals no longer whisper, the quiet parts are sonically just as loud as the REALLY LOUD parts, and so on. This creates a short term profit, long term loss scenario - where at first the song sounds amazing in comparison to others, but after a week it starts to sound boring, predictable, and unadventurous to your ear.

Compression and production can be used very effectively, but the darkside is that in the past 2 decades they’ve been destroying the craft I once loved. The Loud Wars are a race to the bottom, and it’d be awesome to see this changed for a new generation of music lovers.

My orchestra music may acoustically be a lower volume when played next to a traditional song, but the effect is that it’ll never get old. That’s why people keep emailing me saying “I listened to your song on repeat for 3 hours. I don’t know why, but your music is infectious”. Well, now you know why.

It’s because of the Loud Wars, and I refuse to let my music fall victim to it. You shouldn’t fall victim to it either.

*Loudness

But yea, I make metal… which I usually make loud as shit in the mastering process becuase… well its METAL though I try to leave some room for it to breathe when I master because I love my drums punchy.

When I master anything else though, I just make sure it doesn’t clip and there we go. Done and done done.

Which is why I compress my master track to hell, then boost it +40db to compensate

I’m a pro at this mastering thing

10:44am · Monday, August 27th, 2012 · 68 notes
via: cyrilthewolf · source: fororchestra
  1. sylvr3 reblogged this from fororchestra
  2. stopwithoutafarmhousenear reblogged this from fororchestra
  3. skycraftspilot reblogged this from sparkylurkdragon
  4. sparkylurkdragon reblogged this from fororchestra and added:
    I always liked calling it “Records of Loudness War”. It’s an annoying thing.
  5. chisanaai reblogged this from temporalwalker
  6. justsomeboxes reblogged this from fororchestra
  7. derpythedragon reblogged this from fororchestra
  8. flamesofatimelord said: This explains so much! Thank for teaching us along the way. It’s so interesting to learn more and we grow to love your music more!
  9. matrixofichikai reblogged this from fororchestra
  10. sen-chan reblogged this from fororchestra
  11. kannade reblogged this from fororchestra and added:
    If you haven’t read Walt Ribeiro’s original post, do so now, otherwise my example won’t make sense. I’ll wait. Last...
  12. penniavaswen reblogged this from fororchestra
  13. aligningthespine reblogged this from fororchestra
  14. phazonfarmer reblogged this from fororchestra
  15. princesslyoko reblogged this from cyrilthewolf and added:
    It makes me happy to see people fighting against this trend. I wanna cry when I see some of these waveforms, like...
  16. septiphadrean reblogged this from cyrilthewolf and added:
    THAT GIF.
  17. music-thestrongestformofmagic reblogged this from fororchestra
  18. persephinae reblogged this from hufflepuffwrites
  19. the-singulairty-blog-blog reblogged this from cyrilthewolf and added:
    The Loudness wars have been somewthing of a double edged sword; it makes the music being listened to have more...
  20. leojulius13 reblogged this from fororchestra
  21. gbattle said: Chalk it up to electronic music, bad mastering, the radio, and the MP3. Compressing helps MP3s fit more signal into a VBR version as there are fewer dynamics to be lost. Sucky for everyone.
  22. cyrilthewolf reblogged this from temporalwalker and added:
    Last reblog followers I swear.
  23. temporalwalker reblogged this from cyrilthewolf and added:
    …I finally get to use this gif. I am absolutely ecstatic right now. BAHAHAHAHAHAHAHAHA~ Love you hun~
  24. seungq reblogged this from fororchestra
  25. thebleachdoctor reblogged this from fororchestra
  26. heylasfas reblogged this from cyrilthewolf and added:
    Which is why I compress my master track to hell, then boost it +40db to compensate I’m a pro at this mastering thing
  27. become-a-hero reblogged this from fororchestra
  28. fororchestra posted this
viwan themes