micthemicrophone:

IMPORTANT STUFF HERE. TAKE A LOOK PLEASE.

Hey all. We’re really down to the wire here, but we’re determined to get our musicians out here for EverfreeNorthwest! Thus far, the Road to Everfree album has made roughly 600$ to aid our performing musicians in getting out here. Sadly, that is less than a third of what we need. However, a proposition has been made by one of our contributors:

Said contributor (who wishes to remain anonymous) has agreed that for every donation we recieve toward getting our musicians out here, he will match that donation in full for up to 600$. As of right now, our goal is about 2000$. If you are willing to help, you can drop a donation using the following paypal below. Any and all contributions help. I know this isn’t an urgent matter to many, but we would really, really appreciate the help. I will be making regular updates every few hours. Thank you to everyone that has supported us thus far! Let’s drive this thing home!

Current Status: 600$/2000$

You can send any and all donations to EverfreeAlbum@yahoo.com .

You can also pick up the Album here: http://everfreenorthwest.bandcamp.com/

paigeas:

restlessquiet:

Frictional Nevada - Live Drums*

…*fucking BLINDFOLDED

HOLY SHIT

As a drummer, I find just the performance itself impressive, not being blindfolded. Most drummers I know (self included!) can play their kits blindfolded without much issue.

Still though, HOT DAMN.

ask-wolfofsadness:

This album was fun.. i decided to make a dubby-electro album to learn this style and this is what happened … been working it for about 5 month on and off .. hope you enjoy this album of 11 tracks plus 2 remixes

http://wolfofsadness.bandcamp.com/album/gtfo

So let me tell you a story. There was a dude named WolfOfSadness.

Bad things happened.

Long story short, he was told to cut it in half. CUT IT IN HALF. That phrase echoed through his mind like a phrase that would echo through someone’s mind.

Did he cry? No. Did he whine?Hell no.

He looked right at that stream where he was ridiculed.

Raised his fist, and retorted:

GET

THE

FUCK

OUT.

He then defeated the menace and saved the world from total annihilation. 

This was a metaphor. I hope you could tell that.

Today was a good day for the Electronic-Furry-Acronyms-Brony-Drum-‘n’-Bass-Dubstep-Electro-GTFO-Heavy-My-Little-Pony-Party-Music-Shark-Arizona genre.

Follow your dreams.

WolfOfSadness is my dreams.

I’m comin’ for you.

This is my school.

Thanks man! Do you have a favourite song in particular?

All mashed up.

I’ve only released one of them so far.

Four different albums.

12-String-Acoustic

Everfree II.

On stage.

All alone.

Like it’s been.

Built to Fail Tour 2013 continues on.

And this is going to be great, such as long as I don’t start crying during the last song, which I totally will.

Even if no one bothers to read it and it doesn’t get anywhere beyond script, I’ll have it in my repertoire.

I’ll get there some day.

bronycurious:

dbpony:

Of course someone would take my Pootis song, rip it from the video, and then reupload it to youtube without asking my permission.

There’s a reason I took that video down people. Please respect my decision and keep it that way. 

It’s because it’s not. Not really.

We live in the self-titled “remix culture” now. With media being so accessible, everything is up for grabs and subject to interpretation and re-interpretation. As well as re-distribution. When you put something online you essentially DO give it away. I think that’s just something everyone needs to come to terms with who is a content creator leveraging this platform. 

Like, theres a ton of my old crappy art on Derpibooru that I’ve either deleted or moved to scraps on my dA account. I didn’t put it up there, other people did. I can’t control that. My most popular analysis video is my oldest one that is absolute garbage in comparison to what i make now. I want to take it down but its out there. I’m sure someone has it backed up somewhere. Hell, I’ve seen some of my videos re-uploaded and subtitled in other languages.

My point is that, in an age of constant connectivity, on demand streaming, bit torrent downloads, software piracy, and mass media sharing, everything essentially belongs to everyone, because the tools exist for anyone to easily take any source of media they want and claim it for themselves, and do what they want with it. Every time you upload something you make, content creators need to understand that there is a very real possibility that that piece of content will be attached to them, and others, forever. 

If that scares you, reassess what kind of content you put online, or just stop using the internet for distribution altogether.

On the other hand though, you can look at the glass half full and take some solace in the fact that there are people out there going out of their way to keep your content alive and accessible  regardless of what the underlying motives may be. 

Your choice I suppose XP

I like this world we live in.

If I’m forced to do an acoustic show for Everfree, I’m doing it right.