GOD

WHO KEEPS MAKING THESE

patchoulol:

American stereotypes overseas will never cease to amuse me.

legendary-emerald:

Some random Cards Against Humanity highlights from last night.

so what do only casuals like?

diddy-wah-diddy:

diddy-wah-diddy:

Self care 101 

Okay reblogging this again because this scene literally changed my life

unsuborsuper:

I’ve been sitting on this list for a bit (mostly because I… forgot I wrote it) but now, here it is! Note: These are all things I have seen in actual productions or done myself.

1. Assume the characters love each other. The more they hate each other, the more fun this is!
2. Move punctuation around to make new sentences. (There’s textual precedent for this! The Prologue to ‘Pyramus and Thisbe’- in Midsummer, yo- bases its humor on the actor speaking it having messed up his pauses. Also a lot of punctuation was added by editors later, so this one isn’t even a stretch.)
3. Eliminate metatheatrical deception. Asides? Everyone on stage can hear them. Disguise? Everyone can see through it.
4. Cut out famous soliloquies. I saw a production of Hamlet that cut ‘To be or not to be.’ It was EXCELLENT. Corollary 4a: Leave in the bits that always get cut.
5. Kill somebody who the script leaves alive. In that same Hamlet, Horatio drank the rest of the poison and died after delivering his final speech.
6. Introduce a physical plot point without changing the text. The Shakespeare Theatre in DC did a King Lear where Cordelia was played by a deaf actor, and the Fool was her interpreter. (I also saw a Much Ado in which the actor who played Beatrice was pregnant in real life. The production didn’t really acknowledge that, but it would have been so interesting if they had!)
7. Make it a musical! Keep the text, put songs in it. Or just set the text to music. Or, if there are songs in it already, replace them with modern ones- not a Shakespeare example, but I’ve seen a couple versions of Knight of the Burning Pestle that did this.
8. Fuck genres. Play tragedies for laughs. Make comedies disturbing.
9. What if the characters know they’re characters in a play? What if just one of them does? Shakespeare uses enough theatrical language that you can really have fun with this.

I will probably add more to this list, or make a second one of things I haven’t seen (or done!) but would really like to. If you’ve seen or done anything else fun and unusual, reblog and add it! I’d love to know about it!

people changing their url every year and people keep losing their old ones

like, peeps are assholes and will do this, don’t change your url without safeguarding yourself dammit

that makes four people I know who have lost their original url

dammit

skyecandi:

kay it’s offical, frysteria, heylasfas, axlcrush, and I are now a part of the Mother Gear crew

arachnofiend:

chibisilverwings:

ambrromance:

joultonofblood:

Sums up their personalities pretty well.

Eddy: I can achieve anything
Edd: there’s a logical way to achieve what I want
Ed: there’s nothing standing in my way

Eddy hopping over the fence indicates his willingness to “cheat” the system, or to take a shortcut. Much like his schemes, it might end up being more work, but in his mind, cheating is the best way to get ahead.

Edd goes the neat and logical way, he’s straight forward. BUT, note that he closes the gate behind him rather than leaving it open. He’s incredibly meticulous and even if it’s more convenient to leave it open for anyone coming in behind him, he has to leave things neat, tidy and as he found them.

Ed is also is straight forward, he in fact is using the MOST direct route. But this route is one no one else would consider because it seems completely nonsensical. Which sums him up pretty well. The fact that it works for him is also fun to note. In general his earnestness and determination carries him through situations that most people would be stopped by.

I honestly never thought I’d see a critical analysis of Ed, Edd, and Eddy

killaboooooo:

nasharchy:

╰✿⌒❤‿★ friendly reminder that your waifu isn’t real ★‿❤⌒✿╯

That is the point of the waifu though. She isn’t meant to be real, but to be there to empower you.

Wise words from Killa

stkidd:

the BEST senpais